DP-1 playlist, version 1.1.0. 12 items: Entangled Others, Anna Ridler & Caroline Sinders, Mario Klingemann, Scott Eaton, Daniel Ambrosi, Vadim Epstein, Terence Broad, Libby Heaney, Mal Som, Yuma Kishi, Helena Sarin, Jake Elwes.
Scan the code with a Feral File Toko, an FF1, the app or ff-cli to play this playlist, or copy the link and open it there.
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"text": "Entangled Others is the shared studio practice of artists Feileacan McCormick and Sofia Crespo. Their work focuses on ecology, artificial lifeforms and generative arts, with an emphasis on giving the more-than-human new forms a presence and life in digital space. This involves exploring questions of relationship, biodiversity, and awareness through biology-inspired technologies. They highlight how, through conscious efforts, new technology can be used to bring attention and awareness to the unseen that we are tightly interwoven with. Entanglement is a complex state one where no single entity can be said to be separate, or somehow unaffected, by any other present entangled, we cannot consider ourselves without others, act without interacting, speak without being heard."
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"text": "Terence Broad is an artist and researcher living and working in Newcastle Upon Tyne. He has a research-led practice exploring new methodologies for computational image making. Since 2015 he has been making art using machine learning, engaging with themes of replication, simulation and representation. His research explores new methods that allow for the manipulation of ‘black-box’ AI models, and other strategies for uncovering the latent aesthetic possibilities of generative AI systems. His practice is a process of humanizing technology and giving rise to the possibility for a subjective machine.\nHis art and research have been presented internationally: at conferences and journals such as SIGGRAPH, Leonardo, NeurIPS, EvoMUSART, and ICCC; and museums such as The Whitney Museum of American Art, Garage Museum of Contemporary Art, Ars Electronica, The Barbican, and The Whitechapel Gallery. In 2019 He won the Grand Prize in the ICCV Computer Vision Art Gallery and in 2021 he served on the Jury for SIGGRAPH. His work is in the city of Geneva’s contemporary art collection.\nTerence Broad is currently a Ph.D. candidate at Goldsmiths, University of London and is a visiting researcher at the UAL Creative Computing Institute."
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"text": "Mal Som is an artist made in Cambodia, planted in Los Angeles, and currently based in Berlin. Growing up in the United States as a first-gen Cambodian with Buddhist upbringings, his philosophies have married ancient Eastern views with modern Western pop-culture beliefs. He’s able to reflect on both sides. In an age where everyone is more connected than ever, how do we understand information from another culture in a sensitive way and make use of it? Ignoring other cultures can lead to miscommunication. By exploring cultural conflicts, we can foster deeper understanding and bring new possibilities.\nThis has touched all aspects of his work. Now based in Berlin, he has begun to explore the realm of AI-generated art. While other AI artists explore the expansive and infinite possibilities this medium represents, Mal has concentrated his focus on what he described as “the collapse of diversity in a system.”\nMal is a self-taught designer/coder. His background is in philosophy, which he studied at California State University in Long Beach, CA. His key focus in AI is on identity bias, ethical practices, datasets diversity, and its impacts on humans. In general, he gravitates towards experiments that break or stress the limitation of a system. His work explores a constant occurrence in machine learning models, known as mode collapses."
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"text": "Yuma Kishi is a contemporary artist working with AI and the human form. Kishi considers AI not as something that imitates people, but as an alien intelligence from another dimension. By relying on it in his artistic process, he creates works in which the digital intelligence and the analog body are always placed in a parallel relationship. In his works, he often borrows motifs from past art history, which are distortedly combined with technology to evoke a sense of momentary dislocation in the viewer's awareness of the self and the world that exists in the here and now.\nKishi received his MFA in Image Generation Algorithms from the University of Tokyo in 2019 and is currently a graduate student at Tokyo University of the Arts. He has been part of a number of group exhibitions in Tokyo, including at Mitsukoshi Contemporary Gallery, T-Art Hall, and Gallery Water as well as in online galleries such as the NeurIPS Creativity AI Art Online. This year, he has his first solo exhibition at the Block House in Tokyo. His work has also been featured by Nike and Vogue."
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"text": "Helena Sarin is a visual artist and software engineer working with cutting-edge technologies for tech companies. At the same time, she has done commission work in watercolor and pastel, as well as in the applied arts like fashion, food, and drink styling and photography. Art and software had always run as parallel tracks in her life —software in the digital realm and art in the analog—until she discovered GANs. Since then, generative models became her primary medium. Sarin is known for her artisanal AI art practice, where she works with small datasets made up of her own sketches, ink drawings, engravings, and photographs, which—through the help of AI technologies—are transformed into images that lie across the digital and the analog realm. Her still lifes inherit the particularities of the media in her datasets—we see traces of pastels, newspapers, and photographs as well as the specifics of the AI models. The results are colourful, energetic, and highly personal.\nShe is a frequent speaker at machine learning conferences delivering invited talks at institutions such as MIT, Eyeo Festival, Library of Congress and TEDx Konstanz. Her artwork has been exhibited at a variety of AI Art exhibitions including in Zurich, Dubai, Oxford, Shanghai and Miami. Sarin has published a series of artist books including the sell-out “The Book of GANesis” followed by “GANcommedia Erudita”."
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"description": "“Leaves of Manifold, of Red and Gold” by Helena Sarin is a piece that focuses on autumn tree leaves, the rich combinations of their color hues, and their seasonal omnipresence. Leaves appear and disappear one by one, presenting a fashion parade to the viewer, the detailed veins and complex color transitions providing a feast for the visual senses. At times the shapes seem to belong to unfamiliar trees, or the leaf stalk may be separated. As is typical in Helena Sarin’s practice, these images have been generated by a GAN trained on the artist’s own photographs and sketches. Then, Sarin reviews the generated images and manually curates the final selection, acting by the principle “It’s not the frames you play, it’s the frames you don’t play,” to paraphrase Miles Davis.",
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{
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"text": "Jake Elwes is a media artist living and working in London. He studied at The Slade School of Fine Art, UCL (2013-17). In his art Elwes engages with both the history and tropes of fine art and the possibilities and consequences of digital code with a recent focus on machine learning. His projects explore how we interact with and conceive of technology and artificial intelligence, exploring the technology, philosophy, and ethics behind it, asking questions such as what happens to artistic agency when working with artificial intelligence? What does it mean to collaborate creatively with an unpredictable algorithm, learning from data sets unsupervised, and how does this fit into a history of conceptual and systems art? His practice looks for poetry and narrative in the success and failures of these systems, while also investigating and questioning the code and ethics behind them. His current works in the Zizi Project explore AI bias by queering datasets with drag performers. They simultaneously demystify and subvert AI systems.\nJake's work has been exhibited in museums and galleries internationally, including the ZKM, Karlsruhe, Zabludowicz Collection, Ars Electronica, Victoria and Albert Museum and Centre for the Future of Intelligence. He has been featured on ZDF & BBC."
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"description": "Jake Elwes’s “CUSP - Marsh Birds” is part of his CUSP series, where a familiar childhood location on the Essex marshes is reframed by inserting images randomly generated by a neural network into this tidal landscape. The machine has been trained on a photographic dataset, learning the qualities of marsh birds and in the process producing images that fluctuate between species, with unanticipated variations emerging without reference to human systems of classification. The animation migrates from bird to bird, accompanied by a soundscape of artificially generated bird song. The setting of the AI-generated work on a screen in a natural environment enables a rare form of dialogue between native birds and the artificial ones, augmenting and disrupting the ecology of the location. In this edition we watch 12 mash birds from the project as they flow between recognizable forms and dissolve into textures of water and mud.",
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"summary": "Working with AI art sometimes feels like gazing into a pond of water—we are not sure what we will get as a reflection. The exhibition artists’ continued explorations into the natural form and its possibilities of representation with AI over the years have encouraged me to consider what distinguishes this type of art practice from the myriad other ways of depicting humans and the natural world.",
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