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          "title": "Embryogenesis",
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              "name": "Sage Jenson",
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                  "text": "\"...mesmerizing artistic simulations…\" – NASA\nSage Jenson is a media artist focused on speculative biology and emotive simulation. Their work involves tactile audiovisual spaces, complex systems, and the cultivation of digital creatures and ecosystems. Their ongoing simulation project traces a common living thread through material structures spanning time and space.\nSage's work has been shown internationally at venues and festivals such as the Barbican Theater, Sundance, and Lyon's Fête des Lumières, among others. They have published in the fields of geometry processing, complex network theory, and human-computer interaction.\nSage received a BA and BM from Oberlin College and Conservatory, where they studied mathematics, computer science, and electroacoustic music. In addition to their solo practice, Sage has worked in the field of computational geometry and architecture, most recently with Neri Oxman. Sage lives on a brackish marsh near New York City."
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  "summary": "In the summer of 2020, Sage set out to synthesize their previous experiments into an emergent virtual organism. They developed new particle behaviors and an artisanal rendering engine. Particles imbued with homeotic potentiality shapeshift into various behavioral species, and give life to a plethora of embryonic stages. In one particular experiment, this amalgamation beget an uncanny offspring, whose particular genetic code has been unreproducible, creating an anomaly, and a treasure.\nThe only remaining record of this creature is a 4,749 frame video detailing the poignant gaze of its emergent eye. “Embryogenesis” represents a sort of post-partum document to the extinct resonances within the code. Forever trapped in a loop, lost to the symbolic order of memory. It is with a heavy heart that Sage releases their spawn into the wild, but it is the inevitable eventuality of parenthood that children escape the petri dish.",
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